Works

Layered washes of ochre and umber interrupted by a single sweeping gesture of burnt sienna — a painting about movement held still.

A plaster-textured field of bone and sand, divided by a band of slate grey. The horizon as a memory rather than a view.

Fog grey, taupe and faded terracotta blur into a landscape that never quite arrives — named for the music drifting through the studio.

An off-white arch emerges from a deep umber ground, held by a single note of cadmium red. Part of an ongoing study of thresholds.

Soft-edged fields of sand, clay pink and warm grey settle into one another — a meditation on stillness and slow looking.

Sparse marks in ink black, ochre and slate blue scattered across a bone-white field, like notation for a piece of music no one plays.